<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1212304123786158887</id><updated>2011-11-22T19:52:12.480-08:00</updated><category term='Life'/><category term='Project Management'/><category term='Architecture'/><category term='Metaphysics'/><title type='text'>Design Affinity</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://designaffinity.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>12</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-8781459805399327289</id><published>2011-10-17T01:13:00.000-07:00</published><updated>2011-10-17T01:13:19.564-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Architecture'/><title type='text'>In Memory of Che Wan</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-U718ZWfSqTk/TpvhTd2rPYI/AAAAAAAAA78/t5adAeBe9bI/s1600/wanburhan.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/-U718ZWfSqTk/TpvhTd2rPYI/AAAAAAAAA78/t5adAeBe9bI/s640/wanburhan.jpg" width="548" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;A teacher of&lt;/span&gt; unconventional talents. &lt;span style="font-size: small;"&gt;The&lt;/span&gt; &lt;span style="font-size: x-large;"&gt;Godfather of Niat-Laku-Hasil&lt;/span&gt; &lt;span style="font-size: small;"&gt;and without it, &lt;/span&gt;The Architecture School of HBP &lt;span style="font-size: small;"&gt;would be&lt;/span&gt; lifeless and barren. Without boundaries, &lt;span style="font-size: small;"&gt;his provocateurs drove his students&lt;/span&gt; &lt;span style="font-size: x-large;"&gt;breaking boundaries&lt;/span&gt;, all the way to the &lt;span style="font-size: x-large;"&gt;Dean's office&lt;/span&gt;. Almost a &lt;span style="font-size: x-large;"&gt;maverick&lt;/span&gt; &lt;span style="font-size: small;"&gt;and well lived his &lt;span style="font-size: x-large;"&gt;golden days&lt;/span&gt; of&lt;/span&gt; Hippies, John Lennon's music &lt;span style="font-size: small;"&gt;and &lt;/span&gt;baby boom, &lt;span style="font-size: small;"&gt;his selfless dedication to &lt;span style="font-size: large;"&gt;live on with &lt;span style="font-size: x-large;"&gt;Bamboos &lt;span style="font-size: small;"&gt;and &lt;span style="font-size: x-large;"&gt;Mushrooms, &lt;span style="font-size: small;"&gt;not forgetting&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: large;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;teaching architecture &lt;span style="font-size: small;"&gt;in a &lt;span style="font-size: large;"&gt;Neo-Bauhaus &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;traditions of &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: x-large;"&gt;Bucky-Balls, Confrontations of the COLUMNS, Mask-ed!, Play &lt;span style="font-size: small;"&gt;and all sorts of &lt;span style="font-size: large;"&gt;Jingles &lt;span style="font-size: small;"&gt;that can only be the brainchild of a reluctant&lt;span style="font-size: x-large;"&gt; genius. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;Early encounter of him would be &lt;span style="font-size: large;"&gt;puzzled&lt;span style="font-size: small;"&gt; for he is draped in the defunct &lt;span style="font-size: large;"&gt;Al-Aqam's Jubah&lt;span style="font-size: small;"&gt; smoking his beloved &lt;span style="font-size: large;"&gt;Gudang Garam &lt;span style="font-size: small;"&gt;with his &lt;span style="font-size: large;"&gt;Teh Tarik &lt;span style="font-size: small;"&gt;in a lecture hall which proudly displayed the &lt;span style="font-size: large;"&gt;Non-Smoking &lt;span style="font-size: small;"&gt;sign. &lt;span style="font-size: x-large;"&gt;Who cares&lt;/span&gt;, as he lectured and criticized the inconsistency of translating &lt;span style="font-size: large;"&gt;Architecture &lt;span style="font-size: small;"&gt;from English to &lt;span style="font-size: large;"&gt;Bahasa-Whatever...&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;and &lt;span style="font-size: large;"&gt;2/3 of the Lecture Hall dose off to sleep. Yup, that is HIM!&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: small;"&gt;Before long, he stood before me as the &lt;span style="font-size: large;"&gt;Studio Master &lt;span style="font-size: small;"&gt;with another maverick, &lt;span style="font-size: large;"&gt;Encik Haidar&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;, &lt;span style="font-size: small;"&gt;as his assistant, in his &lt;span style="font-size: large;"&gt;most up-kept beard &lt;/span&gt;and &lt;span style="font-size: large;"&gt;GUCCI to ARMANI &lt;span style="font-size: small;"&gt;from head to toe, the &lt;span style="font-size: large;"&gt;Gelugor way &lt;span style="font-size: small;"&gt;of course.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;Local-U paycheck would not entitle you to dress liked &lt;span style="font-size: x-large;"&gt;Karl Lagerfeld. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;The entire year was a &lt;span style="font-size: large;"&gt;Blessing in-disguise. &lt;span style="font-size: small;"&gt;Instead of drawings liked all Architecture school does, we toyed with &lt;span style="font-size: large;"&gt;Fire. &lt;span style="font-size: small;"&gt;Almost got the Studio burnt down while shouting &lt;span style="font-size: large;"&gt;Nodus dan Laluan. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;Just a leap away from being &lt;span style="font-size: x-large;"&gt;Obsolesces, &lt;span style="font-size: small;"&gt;we did what others view as &lt;span style="font-size: x-large;"&gt;Anti-Establisment&lt;span style="font-size: small;"&gt;. That is way before, &lt;span style="font-size: x-large;"&gt;Namewee &lt;span style="font-size: small;"&gt;made his debut with his &lt;span style="font-size: large;"&gt;Negaraku-Ku, &lt;span style="font-size: small;"&gt;the &lt;span style="font-size: large;"&gt;Architectural Prodigee&lt;/span&gt; would have already transformed &lt;span style="font-size: x-large;"&gt;donated Tees, Boxers and all the discarded fabrics into the Malaysian Flag&lt;/span&gt; and hung it in the Foyer for &lt;span style="font-size: x-large;"&gt;Merdeka Celebration, &lt;span style="font-size: small;"&gt;although we already knew that we had never been&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;span style="font-size: x-large;"&gt;&lt;span style="font-size: large;"&gt;Colonized&lt;/span&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;There would not be another CheWan in HBP&lt;/span&gt;&lt;span style="font-size: large;"&gt;, &lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;for sure&lt;/span&gt;&lt;/span&gt;. &lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Although we had all &lt;span style="font-size: large;"&gt;grownup&lt;/span&gt; out of his &lt;span style="font-size: large;"&gt;MOLD, &lt;span style="font-size: small;"&gt;somehow &lt;span style="font-size: x-large;"&gt;there is always a fraction of him that lived within us.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: x-large;"&gt;&lt;span style="font-size: large;"&gt;A fond memory of him as a teacher and a companion of our architectural upbringing. &lt;span style="font-size: x-large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: x-large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: x-large;"&gt;May he rest in peace.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-8781459805399327289?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/8781459805399327289'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/8781459805399327289'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2011/10/in-memory-of-che-wan.html' title='In Memory of Che Wan'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-U718ZWfSqTk/TpvhTd2rPYI/AAAAAAAAA78/t5adAeBe9bI/s72-c/wanburhan.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-474261040670078815</id><published>2010-06-01T03:22:00.000-07:00</published><updated>2010-06-01T03:25:44.238-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Architecture'/><title type='text'>Introducing  Interstices Amok : A Chronology</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_KbOQni5G4Tc/TATfXU3-U4I/AAAAAAAADkg/SNBeyjMB0D0/s1600/amok.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="292" src="http://2.bp.blogspot.com/_KbOQni5G4Tc/TATfXU3-U4I/AAAAAAAADkg/SNBeyjMB0D0/s640/amok.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif; text-align: justify;"&gt;A compendium of thoughts and ideas that has gone beyond the boundary of the Studio. Unconsciously, while I indulge in the model of productions during my Graduation years in the Faculty, there is a conscious attempt to break the boundaries and acceptable norms of the schools which unconsciously left a legacy for the future students to embark and to continue on, if not to break it. There is no precedent at that time, that the body of lecturers, whom are trained in the model of modernist Frank Loyd Wright styles, would accept the approach beyond water colors and pencil renderings to the much embraced model of deconstructions and blobs. Yet, it was proven that the yielding and desperate need to break the current paradigm goes beyond the needs to secure enough grades for graduation. That is why it is a RADICAL attempt which had paid off but yet was put aside as just another thoughts and ideations. &lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;First we grace upon the Politics of knowledge. Next, we dwelt in the Anarchy where ideas are no longer on the drawing boards but the stage. Then, as the plot unfolds, we equipped with Arsenals, as our daily milk. Proceed on to be indoctrinated with Apostolic Architecture from the people of the Books. Not enough? We spread the gospel through the Workshop. Thereupon, a declaration is made to transform our current context into Gelugorium, a piece of Utopia made out of industrial waste. Just to match the existing Tapestry of Georgetown. Yet, we look beyond the sister historical context in Malacca and found the Radical approach that has yet to materialize into the Univers City. Such declarations are the pretext of our intellectual Revolutions. A platform for the Meeting of liked minded people is called. Yet, some appeared to be Innocent and stick to the old paradigm. Just that in the all embracing world of ideas, we start from Scratch. To embrace Stylism at its most infancy stage. That is capable to be translated in the Now Showing – Amok: A Chronology.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;Click &lt;a href="http://www.intersticesamok.blogspot.com/"&gt;&lt;b style="color: yellow;"&gt;&lt;span style="font-size: x-large;"&gt;HERE&lt;/span&gt;&lt;/b&gt;&lt;/a&gt; to enter.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br style="font-family: Arial,Helvetica,sans-serif;" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-474261040670078815?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/474261040670078815'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/474261040670078815'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2010/06/introducing-interstices-amok-chronology.html' title='Introducing  Interstices Amok : A Chronology'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KbOQni5G4Tc/TATfXU3-U4I/AAAAAAAADkg/SNBeyjMB0D0/s72-c/amok.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-5361713287243680322</id><published>2010-03-10T02:38:00.000-08:00</published><updated>2010-04-04T23:24:40.814-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Metaphysics'/><title type='text'>Introducing FengShui QuanYuan</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_KbOQni5G4Tc/S5d2n_BrXkI/AAAAAAAACsM/PqajSb-zWX4/s1600-h/QUANYUANCHRONICLESBANNER.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="284" src="http://4.bp.blogspot.com/_KbOQni5G4Tc/S5d2n_BrXkI/AAAAAAAACsM/PqajSb-zWX4/s640/QUANYUANCHRONICLESBANNER.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;Seek no further, this is the place where proven applications of Chinese Metaphysics are practiced, by the group of dedicated practitioners that goes beyond the boundary of lineages, fengshui families, to the crux of Dao. Here the emphasis of the Greater SanYuan inclusive of Heaven (FengShui for the tombs), Earth (FengShui for the living abode) and Man (Holistic Supplements) are practiced.&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.fengshuiquanyuan.blogspot.com/"&gt;&lt;b&gt;Click Here To Enter... &lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-5361713287243680322?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/5361713287243680322'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/5361713287243680322'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2010/03/introducing-fengshui-quanyuan.html' title='Introducing FengShui QuanYuan'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KbOQni5G4Tc/S5d2n_BrXkI/AAAAAAAACsM/PqajSb-zWX4/s72-c/QUANYUANCHRONICLESBANNER.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-6771733475500207974</id><published>2009-09-24T02:06:00.000-07:00</published><updated>2009-09-24T02:12:29.225-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Architecture'/><title type='text'>Introducing The Ideation Model</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KbOQni5G4Tc/Srs3AjSSnOI/AAAAAAAABoo/trwHgON7OgM/s1600-h/IDEA.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 278px;" src="http://2.bp.blogspot.com/_KbOQni5G4Tc/Srs3AjSSnOI/AAAAAAAABoo/trwHgON7OgM/s400/IDEA.jpg" alt="" id="BLOGGER_PHOTO_ID_5384958262063045858" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;There is no idea too small, nor no idea too big. There is only Big Idea for a small planet. Yes indeed. When we built, it meant to last. So we are calling for new ideas of what to built. This is just a blog, calling designers out there of new ideas for what to build?&lt;br /&gt;&lt;br /&gt;Look out for,  &lt;a href="http://www.modelofideation.blogspot.com/"&gt;http://www.modelofideation.blogspot.com/&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-6771733475500207974?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/6771733475500207974'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/6771733475500207974'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2009/09/introducing-ideation-model.html' title='Introducing The Ideation Model'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KbOQni5G4Tc/Srs3AjSSnOI/AAAAAAAABoo/trwHgON7OgM/s72-c/IDEA.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-2341561780359671074</id><published>2009-08-27T03:10:00.001-07:00</published><updated>2009-08-27T03:11:38.399-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Project Management'/><title type='text'>Introducing A Project Solution Company</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KbOQni5G4Tc/SpYCzmgnNNI/AAAAAAAABh4/9vjN1J99RCU/s400/title.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 223px;" src="http://2.bp.blogspot.com/_KbOQni5G4Tc/SpYCzmgnNNI/AAAAAAAABh4/9vjN1J99RCU/s400/title.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family:arial;"&gt;Rebranded in 2009, Project Affinity Consultancy is ear marked as a multi-disciplinary design-led consultancy company in the business of fast tracked design, construction and purpose built for multinational and Malaysia based companies.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Our track records include high level lobbying, design and construction for mainly upper market residential and commercial properties in the Klang Valleys for companies listed in the Bursa Saham Malaysia. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;   &lt;span class="widget-item-control"&gt; &lt;span class="item-control blog-admin"&gt; &lt;a class="quickedit" href="http://www.blogger.com/rearrange?blogID=6943223468812199206&amp;amp;widgetType=Text&amp;amp;widgetId=Text3&amp;amp;action=editWidget" onclick="'return" target="configText3" title="Edit"&gt;&lt;br /&gt;&lt;/a&gt; &lt;/span&gt; &lt;/span&gt;   &lt;h2 class="title"&gt;What We Do ...&lt;/h2&gt;  &lt;span style="font-family:arial;"&gt;&lt;br /&gt;We are established one stop consultancy group with design, construct and development capabilities. Anchored with a reputable property company, we are able to raise private capital and with its strategic partnership with financial institution and property groups such as Magna Prima Bhd, Kuwait Finance House, HongLeong Bank and amongst others.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;We are specialized in providing integration of designs to include state of the art M&amp;amp;E, IT, structural components into the built-environment. We also provide a critical one stop solution to both local and multinational firm in making their base in Malaysia with regards to design and built facilities.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-2341561780359671074?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/2341561780359671074'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/2341561780359671074'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2009/08/introducing-project-solution-company.html' title='Introducing A Project Solution Company'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KbOQni5G4Tc/SpYCzmgnNNI/AAAAAAAABh4/9vjN1J99RCU/s72-c/title.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-7316417133454253222</id><published>2009-07-24T21:05:00.000-07:00</published><updated>2010-06-03T20:22:35.133-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Metaphysics'/><title type='text'>Introducing Case Studies</title><content type='html'>&lt;div style="font-family: arial; text-align: justify;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_KbOQni5G4Tc/TAhxYTzK48I/AAAAAAAADuw/Tna6yzM0iAs/s1600/records.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="332" src="http://2.bp.blogspot.com/_KbOQni5G4Tc/TAhxYTzK48I/AAAAAAAADuw/Tna6yzM0iAs/s640/records.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Metaphysics are among others exsoteric in nature in terms of knowledge and applications. Jiang Da Hong has been instrumental in saying that the heaven wills shall not be disclosed. Similarly with the art of metaphysics. Unfortunately, with such myopic worldview, 6 of his closest disciples began to part their ways, not able to even allowing their followers to learn from each other schools. One school splits to 6 and these schools never come together. It sparks what the westerner called schisms, each trying to interpret their own way through the knowledge of Jiang Da Hong making most only half truths and half fictions. What is witnessed today is the bastardising of this art at its pinnacle. We hope that our forefathers will return to show us the path and it is with this spirit this &lt;a href="http://yifengshui2.blogspot.com/"&gt;blog&lt;/a&gt; is made available for seamless sharings.&lt;br /&gt;&lt;br /&gt;We often speak about results. The bottom line of all FengShui boils down to results. No matter what method used, results must be obtained, be it good or bad. If it is good, why was the result good? Did the good results materialised as predicted and in timing? Did the good results are able to be quantify and be traced back to the method deploy? Even if the results are bad, the question is how bad? Is there blessings in disguise? Are the results taking too long to materialise? Why is such? What need to be done to put things together?&lt;br /&gt;&lt;br /&gt;So, this blogs are meant to be a record of cases both successful and unsuccessful case study. The lessons are to note, why such success were achieved rather then ought to have achieved. If it fails to materialise the desire results, again more investigation needs to be looked at. So the &lt;a href="http://yifengshui2.blogspot.com/"&gt;blog&lt;/a&gt; is for serious practitioners of this art at an invitation basis for the moment.&lt;br /&gt;&lt;br /&gt;So please contributes your case study as much as possible for a fruitful discussion.&lt;br /&gt;&lt;br /&gt;Warmest Regards,&lt;/div&gt;&lt;div style="font-family: arial; text-align: justify;"&gt;&lt;span style="font-size: 85%;"&gt;&lt;a href="http://yifengshui2.blogspot.com/"&gt;YiFengshui&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-7316417133454253222?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/7316417133454253222'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/7316417133454253222'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2009/07/introducing-case-studies.html' title='Introducing Case Studies'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KbOQni5G4Tc/TAhxYTzK48I/AAAAAAAADuw/Tna6yzM0iAs/s72-c/records.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-8800322549966371144</id><published>2009-07-21T00:46:00.000-07:00</published><updated>2009-07-21T00:51:09.184-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Metaphysics'/><title type='text'>Introducing Destiny Reading</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://lh5.ggpht.com/_KbOQni5G4Tc/Skggzooq4rI/AAAAAAAABKA/YkMpovpSLBg/s640/JiaZi2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 640px; height: 358px;" src="http://lh5.ggpht.com/_KbOQni5G4Tc/Skggzooq4rI/AAAAAAAABKA/YkMpovpSLBg/s640/JiaZi2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;I take this opportunity to introduce to all the following blogs: -&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://www.yibazi.blogspot.com/"&gt;http://www.yibazi.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;When I started blogging in 2007 via YiFengshui, it was just a response to another blog which instigates a lot of negativity in the art of metaphysics. Surprisingly, this blog has met its natural death with its blog owner and his team of crappy personalities being carted away for some strings of litigation matters and injunctions. With such silence, aggressive respondents and commentators to my blog have reduced significantly and I can only make a simple conclusion as to such a phenomenon. So the reason for YiFengshui to exist is no longer valid.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;However, along these years of blogging, new reasons for its existence such as a platform to communicate with experts and seekers of this field have grown, friendships have developed, lessons had learnt and bitter experiences of knowing the heart of the complex human beings are priceless. I owed much of these to two men, first, who is a master in Chinese Metaphysics of his own rights and a seeker of truth in Buddhism similarly second, to my teacher whom is a master in Design Theories and a seeker of truth in Islam, whom I had trusted. Same as with the numbers of people, especially the trinity who led me to a path less travelled in the wake of science and modernity, if misunderstood it is called hocus plus pocus. I must admit it is a good source to find out the hidden agendas in the many layers of human beings through the ethereal. So are the many psychics whom I had the opportunity to be associated with. I take this opportunity to thanks the many for a good lesson learnt and seek forgiveness from whom I had involuntarily offended by my writings and my thoughts. Saying thus, I had voluntarily removed permanently the columns called gossips from the internet, so much so that I believed, people deserved a second chance.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;To err is humane, to forgive is divine. As a new chapter, to reinvent the objectives of this blog, I shall only continue to dedicate trivial matters about KanYu that I find interesting for sharing. I heed note that only through sharing will we grow in the art of Chinese Metaphysics and to avoid unnecessary troublemakers, the important notes and serious case study will only be made available through invitation only. So, to the serious researcher kindly drop me a personal mail should you wish to be included in this circle of fellowship, with just some simple non-monetary conditions to apply.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;As my limited skills in blogging have improved, I had dedicated another blog for the art of BaZi, realizing that not many practitioners are interested in KanYu. At the same time, I am exploring other blog to be called design affinity, which is dedicated to consolidates all my thoughts which are in fragments into a collective whole just liked a tapestry of ideas blending metaphysics, travels, architecture and experiment in visual arts in a collective whole. This may not be a grand design of the Almighty but is significantly called a small TaiQi within a larger one.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Feel free to explore…&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-8800322549966371144?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/8800322549966371144'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/8800322549966371144'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2009/07/introducing-destiny-reading.html' title='Introducing Destiny Reading'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://lh5.ggpht.com/_KbOQni5G4Tc/Skggzooq4rI/AAAAAAAABKA/YkMpovpSLBg/s72-c/JiaZi2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-6728251199027194477</id><published>2009-07-05T07:04:00.000-07:00</published><updated>2010-06-03T20:33:44.822-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Architecture'/><title type='text'>Introducing Method Of Production</title><content type='html'>&lt;div style="font-family: arial; text-align: justify;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_KbOQni5G4Tc/TAh0BbULjDI/AAAAAAAADvQ/NySE-6hjQwE/s1600/productionmodel.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="342" src="http://3.bp.blogspot.com/_KbOQni5G4Tc/TAh0BbULjDI/AAAAAAAADvQ/NySE-6hjQwE/s640/productionmodel.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt;The programme is nothing new. It has its genesis from the Bauhaus and via the migration of the &lt;b&gt;MODERNIST GURUS&lt;/b&gt; to the &lt;st1:country-region st="on"&gt;US&lt;/st1:country-region&gt;; the same sort of programme has been implanted into the curriculum of the &lt;b&gt;MIT&lt;/b&gt;, &lt;st1:place st="on"&gt;&lt;st1:placetype st="on"&gt;School&lt;/st1:placetype&gt; of &lt;st1:placename st="on"&gt;Architecture&lt;/st1:placename&gt;&lt;/st1:place&gt;. Through the generosity of the Malaysian Government, &lt;b&gt;JPA&lt;/b&gt; to be specific, at one time, to send the crème de la crème of the &lt;b&gt;MARA&lt;/b&gt; scholar to the US, some of these scholars had the opportunity to dip into the these ex-Bauhaus programme and surface upward to be brought back to the Malaysian School of Architecture particularly the misnamed School of Housing Building and Planning, University Science Malaysia through the undying spirit of the &lt;b&gt;&lt;i&gt;avant garde &lt;/i&gt;‘Guru’&lt;/b&gt; of individual of this sort, &lt;a href="http://www.hbp.usm.my/1b/students/overdyears.htm"&gt;&lt;b&gt;En.&lt;/b&gt; &lt;/a&gt;&lt;b&gt;&lt;a href="http://www.hbp.usm.my/1b/students/overdyears.htm"&gt;Wan Burhanuddin&lt;/a&gt; &lt;/b&gt;(on the rim of retiring into the business of &lt;b&gt;HOLISTIC HEALTH CARE&lt;/b&gt; then architecture); to be installed into the naive minds of the 2&lt;sup&gt;nd&lt;/sup&gt; year freshies of whom, at the material time, the author was one of them. The curriculum was rigid for the sake that there are more &lt;b&gt;&lt;i&gt;old garde&lt;/i&gt;&lt;/b&gt; existed since the inception of the programme and the birth of the phrase &lt;i&gt;“if you want a degree, go to the school and if you want architecture, go to the club”,&lt;/i&gt; takes form as a manifestation of the sort of suffering and loneliness one of this sort of &lt;b&gt;&lt;i&gt;avant garde &lt;/i&gt;&lt;/b&gt;has to bear in the mainstream &lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://1.bp.blogspot.com/_X55bOC4UOXM/SkpCps8Od0I/AAAAAAAAAA8/MFay-cGXVNw/s1600-h/interstices_renamed_29805.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5353164391289091906" src="http://1.bp.blogspot.com/_X55bOC4UOXM/SkpCps8Od0I/AAAAAAAAAA8/MFay-cGXVNw/s320/interstices_renamed_29805.jpg" style="cursor: pointer; float: right; height: 299px; margin: 0pt 0pt 10px 10px; width: 320px;" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt;school of Architecture in Malaysia. The seed of seeing beyond the four walls of the formalized curriculum has been sowed to create an undercurrent of movements in the students club which co-incidentally shared by all schools of Architecture including the AA which has manifested in the forms of publication named &lt;b&gt;&lt;i&gt;A&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt;&lt;b&gt;&lt;i&gt;CROSS ARCHITECTURE&lt;/i&gt;&lt;/b&gt; as compared to the official publication of &lt;b&gt;&lt;i&gt;AA FILES&lt;/i&gt;&lt;/b&gt;, Picking on this premise, the Architecture Club of USM has initiated a series of publication raging from &lt;b&gt;&lt;i&gt;INTERSTICES &lt;/i&gt;&lt;/b&gt;to &lt;b&gt;&lt;i&gt;AMOK&lt;/i&gt;&lt;/b&gt; at the students’ own pocket money without subsidy&lt;b&gt;&lt;i&gt; &lt;/i&gt;&lt;/b&gt;and aligned with the manifestos of the Architectural Workshops, at the time has managed to put forth a declaration to be further crystallized in the more current workshops in UM and UIA and to be met with a pre-mature &lt;b&gt;&lt;i&gt;DEATH&lt;/i&gt;&lt;/b&gt; of the commercial and institutional onslaught of insufficient funds and the lack of momentum and commitment.&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt; &lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt;Unlike the local scenarios, the neighboring &lt;st1:placetype st="on"&gt;school&lt;/st1:placetype&gt; of &lt;st1:placename st="on"&gt;Architecture&lt;/st1:placename&gt; across the &lt;b&gt;&lt;i&gt;Straight of Tebrau&lt;/i&gt;&lt;/b&gt;, namely &lt;b&gt;NUS &lt;/b&gt;has a better luck due to its fame and the fact that it is the only &lt;st1:placetype st="on"&gt;school&lt;/st1:placetype&gt; of &lt;st1:placename st="on"&gt;Architecture&lt;/st1:placename&gt; in &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;Singapore&lt;/st1:place&gt;&lt;/st1:country-region&gt;. This school hires experts from all over the globe. The ex-Bauhaus programme was infused in an &lt;b&gt;&lt;i&gt;Atelier Concept&lt;/i&gt;&lt;/b&gt; of Master-Pupil of which the author has the opportunities to experience from the credits of &lt;b&gt;SIF-ASEAN &lt;/b&gt;Student Fellowship Funding which meets it natural &lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="http://2.bp.blogspot.com/_X55bOC4UOXM/SkpCpZh8brI/AAAAAAAAAA0/2HjZO82OGb0/s1600-h/amok_renamed_23397.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5353164386078584498" src="http://2.bp.blogspot.com/_X55bOC4UOXM/SkpCpZh8brI/AAAAAAAAAA0/2HjZO82OGb0/s320/amok_renamed_23397.jpg" style="cursor: pointer; float: right; height: 223px; margin: 0pt 0pt 10px 10px; width: 320px;" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt;death somewhere in 2004, from the prominent &lt;b&gt;Dr. Edward Ng,&lt;/b&gt; now lecturing in &lt;b&gt;HKU. &lt;/b&gt;The emphasis on Urban Design in the&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt; Singapore experience is prominent and it is not surprising to note that the&lt;b&gt; UM&lt;/b&gt; curriculum, from the perspective of &lt;b&gt;Prof. Wood&lt;/b&gt;, has a very strong grounding on Urbanism  for which along side with the accreditation process from &lt;b&gt;LAM&lt;/b&gt; has been criticized as being too urban scale inclined rather then building scale inclined. Again, the paradoxes of what is Architecture, an urban matter or just a building tech-tonic has been raised similar to the age old question of who is the planner for which &lt;b&gt;LAM-PAM &lt;/b&gt;itself has a difficulty to qualify and just don’t mentioned what Housing, Building and Planning stands for as for that the genetic make up of architectural strand has been mutated and transformed into new species like &lt;b&gt;&lt;i&gt;COMPUTER ARCHITECTURE,&lt;/i&gt;&lt;/b&gt; totally beyond the scope of this discussion. The disgrace of lack of regard to urban design issues has led to the many embarrassments within the built environment fraternities some of which ha&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt;s been highlighted in the &lt;b&gt;PAM-Discourse&lt;/b&gt; in the 80’s with the participation of &lt;b&gt;&lt;i&gt;Mega Stars&lt;/i&gt;&lt;/b&gt; liked &lt;b&gt;Kisho Kurokawa, Dr. Ken Yeang &lt;/b&gt;(now, a Dato’), &lt;b&gt;En. Hijjas Kasturi, Datuk Lim Chong Keat&lt;/b&gt; and the prominent educator from the &lt;b&gt;AA &lt;/b&gt;the late &lt;b&gt;Alvin&lt;/b&gt; &lt;b&gt;Boyarsky.&lt;/b&gt; The shed of dirty linens are obvious and until today, not much improvement has been recorded unlike otherwise the revival of new classicism via the &lt;b&gt;Putrajaya Master plan &lt;/b&gt;in accordance to the Middle East Model, of which spark another debate on its socio-cultural contextual relevance. &lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt;In the college things are different. Firstly, with the concern of legitimacy as a recognized school, the &lt;st1:place st="on"&gt;&lt;st1:placetype st="on"&gt;school&lt;/st1:placetype&gt;  of &lt;st1:placename st="on"&gt;Architecture&lt;/st1:placename&gt;&lt;/st1:place&gt; should not have existed. The author with many others would have probably out of jobs following strictly by a matter of recognition of the programme by &lt;b&gt;LAM. &lt;/b&gt;Only with the virtue of &lt;b&gt;LAN &lt;/b&gt;that the programme has been made legitimate but to an extend that, all of those in the system know too well, the graduates are not recognize as Pt I in the career path of an Architect. Secondly, college is not a drafting school either for the Diploma that is offered was tagged with the title Architecture for which the school serves as feeding platforms for overseas universities. In view of the paradox of such nature, with the lack of both direction and niche architectural education model or philosophy, again the ex-Bauhaus programme has been modified incorporating the 3 scale of &lt;b&gt;artifact, building and urban&lt;/b&gt; in the modus operandi of &lt;b&gt;discourses, implementation and documentation within the scope of master, project manager and crews&lt;/b&gt; has been implemented and tested and this time around the subject is &lt;b&gt;DESIGN STUDIO 4. &lt;/b&gt;Presenting herewith are the accounts of such experimentation with the overview of the &lt;b&gt;Brief &lt;/b&gt;and the products brought to you from the &lt;b&gt;People &lt;/b&gt;who believes there is still &lt;a href="http://modelofproduction.blogspot.com/"&gt;tomorrow for Architecture&lt;/a&gt;.&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial; text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: arial; text-align: justify;"&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: arial; text-align: justify;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: arial; text-align: justify;"&gt;&lt;span lang="EN-US" style="font-size: 100%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: arial; text-align: justify;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-6728251199027194477?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/6728251199027194477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/6728251199027194477'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2009/07/introducing-method-of-production.html' title='Introducing Method Of Production'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KbOQni5G4Tc/TAh0BbULjDI/AAAAAAAADvQ/NySE-6hjQwE/s72-c/productionmodel.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-4753889514906169735</id><published>2009-06-25T23:53:00.000-07:00</published><updated>2009-06-26T05:42:03.069-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Architecture'/><title type='text'>Introducing The Practice</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_KbOQni5G4Tc/SkTCDNJDeQI/AAAAAAAABIg/C2LLOQ35vtM/s1600-h/PhotoFunia-361b061.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 266px;" src="http://2.bp.blogspot.com/_KbOQni5G4Tc/SkTCDNJDeQI/AAAAAAAABIg/C2LLOQ35vtM/s320/PhotoFunia-361b061.jpg" alt="" id="BLOGGER_PHOTO_ID_5351615617546025218" border="0" /&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;We are Architects by profession, Designers by career. We aim at instigating design at every levels from the smallest of the furniture to the largest of urban design. In between we dwell in the realm of design management, ultimately leading to the role of managing problems, from inception to execution. Sometimes, we wish that we could provide all possible artistic solutions, but reality bites as we will have to address the financial portions of the scheme as well. So, the collective works are somewhat compromised. However, we do keep the spirit burning of pure design, now available from our alter ego site: &lt;/span&gt;&lt;a style="color: rgb(255, 204, 51);" href="http://yiarchitechtonic.blogspot.com/"&gt;&lt;span style="font-weight: bold; color: rgb(102, 0, 0);font-family:arial;" &gt;yiarchitechtonic.blogspot.com&lt;/span&gt;&lt;/a&gt; &lt;span style="font-family:arial;"&gt;Take a dip, when you have the interest and time to explore more.&lt;/span&gt;  &lt;span style="font-family:arial;"&gt;As metaphysical as we would liked to be, we also provide authentic Chinese FengShui (KanYu) services ranging from astrological readings, site audits, site selection, date selection and finally, incorporating FengShui in our Design Management. We had bitter experiences with various Masters, resulting in gross butchering of our design process beyond recognition. We ultimately strive to excel in this area, by venturing into it. Next time around, designing memorial park or residential enclave is no longer a constraint. At the same time, we take the trouble to debunk fallacies and to advise potential client on the use of FengShui via our blog:&lt;/span&gt; &lt;a style="color: rgb(255, 204, 102);" href="http://yifengshui.blogspot.com/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 0, 0);font-family:arial;" &gt;&lt;span style="color: rgb(102, 0, 0);"&gt;yifengshui.blogspot.com&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;As with all services, we do accommodate reasonable revisions and with an appropriate professional fee, currently modeled on LAM scale of minimum fee rule.&lt;br /&gt;&lt;br /&gt;Visit us at: &lt;a href="http://davidyekarchitect.blogspot.com/"&gt;The Practice&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-4753889514906169735?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/4753889514906169735'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/4753889514906169735'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2009/06/introducing-practice.html' title='Introducing The Practice'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KbOQni5G4Tc/SkTCDNJDeQI/AAAAAAAABIg/C2LLOQ35vtM/s72-c/PhotoFunia-361b061.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-3492747291785307319</id><published>2009-06-25T23:32:00.000-07:00</published><updated>2010-06-03T20:31:23.231-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Metaphysics'/><title type='text'>Introducing The Path of Metaphysics</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_KbOQni5G4Tc/TAhzelVn__I/AAAAAAAADvI/xFidtsB6sIs/s1600/yifengshuibanner.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="306" src="http://4.bp.blogspot.com/_KbOQni5G4Tc/TAhzelVn__I/AAAAAAAADvI/xFidtsB6sIs/s640/yifengshuibanner.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://lh4.ggpht.com/_KbOQni5G4Tc/SeLhiJXJMoI/AAAAAAAABEo/U6dFKY2y66E/banner.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: arial;"&gt;YI has been my surname or the Clan name. In Cantonese pronunciation, it is called YEK. Among others, it brings forth the notion of change. As in YI JING, the Classic of Change. This classic has been the fundamental of the Chinese 5 arts, inclusive the science and art of recognizing the surface formation of earthly matters. The earliest form of the YI is recognize by the emblematic graphs containing a distinct compositions of the binary of YING and YANG. Further metamorphosis of these binaries resulted in a  series of permutations called HEXAGRAM.  These are sometimes called, YI without words, or the original YI, ZHOU YI. It is read as an emblematic YI, the fundamental of  XUAN KONG. It reads as the following: -&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://lh4.ggpht.com/_KbOQni5G4Tc/SeLhiJXJMoI/AAAAAAAABEo/U6dFKY2y66E/banner.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" src="http://lh4.ggpht.com/_KbOQni5G4Tc/SeLhiJXJMoI/AAAAAAAABEo/U6dFKY2y66E/banner.jpg" style="display: block; height: 171px; margin: 0px auto 10px; text-align: center; width: 604px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Dragon is divided into TWO,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Trigram is derived into THREE portions,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;The WAY is natural,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;The MYSTERIOUS is within XUAN KONG.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: arial;"&gt;The notion of XUAN KONG has been mentioned as a phrase in Grand Master Yang's Text, probable the most eminent master in the Art of KANYU. However, liken to any arts of Chinese Metaphysics, it was left undefined. Some notable definitions are by Grand Master Jiang in his commentaries liked DI LI BIAN ZHEN, although with much invited debate from the SANHE purist school.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;In token, this Blog is dedicated to the &lt;a href="http://yifengshui.blogspot.com/"&gt;FENGSHUI&lt;/a&gt; studies as an integrated subject with Architecture, Built-Environment and the Antropo-Cosmo. Hopefully it will accumulate enough substances to be taken seriously by the western liked models of Scientific Inquisition, based on the ancient wisdom of YI.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-3492747291785307319?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/3492747291785307319'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/3492747291785307319'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2009/06/introducing-path-of-metaphysics.html' title='Introducing The Path of Metaphysics'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KbOQni5G4Tc/TAhzelVn__I/AAAAAAAADvI/xFidtsB6sIs/s72-c/yifengshuibanner.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-5108384103113452218</id><published>2009-06-25T22:55:00.000-07:00</published><updated>2010-06-03T20:29:38.475-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Architecture'/><title type='text'>Introducing Experimentation In Architecture</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_KbOQni5G4Tc/SkRnHGSd0CI/AAAAAAAABHI/GX5_XvZctk4/s1600-h/astaka.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_KbOQni5G4Tc/TAhy62YpLQI/AAAAAAAADvA/8q7i9xW2aCw/s1600/PhotoFunia-3707803.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="260" src="http://3.bp.blogspot.com/_KbOQni5G4Tc/TAhy62YpLQI/AAAAAAAADvA/8q7i9xW2aCw/s640/PhotoFunia-3707803.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: arial;"&gt;This is an experimental portal for Architecture from the smallest of a shed to the biggest of a City. Naturally, we find ourself dealing with S, M, L and XL. It is from these scales of artifacts, buildings and urban that we find our soul in design. Most of the products are either too avant-garde to be materialized or simply mind boggling in nature, so this is the place we shelf our seed of creativity for future use.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_KbOQni5G4Tc/SkRnHGSd0CI/AAAAAAAABHI/GX5_XvZctk4/s1600-h/astaka.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5351515628867801122" src="http://4.bp.blogspot.com/_KbOQni5G4Tc/SkRnHGSd0CI/AAAAAAAABHI/GX5_XvZctk4/s320/astaka.JPG" style="float: right; height: 320px; margin: 0pt 0pt 10px 10px; width: 206px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Here, we serve design raw as our breakfast, lunch and dinner, occasionally supper. There is no superstar here but just a smear of art, models, icon, poems, essays, frustration, commitment and rejection. Meanings there is a place called home for un-built works.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_KbOQni5G4Tc/SkRnHGSd0CI/AAAAAAAABHI/GX5_XvZctk4/s1600-h/astaka.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: arial;"&gt;Occasionally it will serve as a domain for self reflection and self criticism, let alone as a document for an action and inaction in reflective of a thought in monologue. Feel free to explore...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://yiarchitechtonic.blogspot.com/"&gt;&lt;span style="font-family: arial;"&gt;Experimentation In Architecture&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-5108384103113452218?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/5108384103113452218'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/5108384103113452218'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2009/06/this-is-experimental-portal-for.html' title='Introducing Experimentation In Architecture'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_KbOQni5G4Tc/TAhy62YpLQI/AAAAAAAADvA/8q7i9xW2aCw/s72-c/PhotoFunia-3707803.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-1212304123786158887.post-1744327841133053082</id><published>2009-06-25T22:45:00.000-07:00</published><updated>2010-06-03T20:27:09.363-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Life'/><title type='text'>Introducing Exploration Of Life</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;a href="http://2.bp.blogspot.com/_KbOQni5G4Tc/TAhyXjIJ-5I/AAAAAAAADu4/7V0JuflIiv8/s1600/travekouge.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="426" src="http://2.bp.blogspot.com/_KbOQni5G4Tc/TAhyXjIJ-5I/AAAAAAAADu4/7V0JuflIiv8/s640/travekouge.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: arial;"&gt;It took me a while to understand as so much had been spent to travel and yet we are overly busy to snap shot our existence in every backdrops of scenery captured in the travel photos. Do we really need to proof we had indeed arrived at the destination?&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: arial;"&gt;Do we need to proof our existence? If not, why do we dwell in the dilemma of proof, given the beauty of a place, enjoying its spirit in form, smell, sound and essence of senses. Some times, simply difficult to even put into writings, let alone words of wisdom. Indeed life as we traveled, is the scenery of existence that most had taken for granted.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: arial;"&gt;Perhaps we need to snap shot such proof of life in the photo of our existence consciously reminding myself as I had lived to see the world and I had lived long to tell a tale, but yet not long enough to behold its changes. Yes, from the generation of now to the others. Perhaps the sky no longer blue, sea no longer blue and the grass no longer green.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: arial;"&gt;Until such a time, I knew for sure, I had lived to proof my existence. That the photo is no longer my tool of remembrance. Perhaps, memory itself is the very proof of the existence I had been bestowed upon. Yet, vividly be my companion of sorrow and happiness.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: arial;"&gt;Perhaps all I need is drinking tea, living &lt;a href="http://yitravelogues.blogspot.com/"&gt;LIFE&lt;/a&gt;...&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1212304123786158887-1744327841133053082?l=designaffinity.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/1744327841133053082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1212304123786158887/posts/default/1744327841133053082'/><link rel='alternate' type='text/html' href='http://designaffinity.blogspot.com/2009/06/drinking-tea-living-life.html' title='Introducing Exploration Of Life'/><author><name>DAVID YEK TAK WAI (email:yektakwai@hotmail.com)</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='28' height='32' src='http://3.bp.blogspot.com/_KbOQni5G4Tc/SRk0PKtfxqI/AAAAAAAAAwo/40CiTwdnmAo/S220/photo.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_KbOQni5G4Tc/TAhyXjIJ-5I/AAAAAAAADu4/7V0JuflIiv8/s72-c/travekouge.jpg' height='72' width='72'/></entry></feed>
